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Shahnameh: The Epic of the Persian Kings
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The new, impeccable translation and adaptation of the Epic of Persian Kings by Ahmad Sadri brought to life a host of heroic characters and wove their adventures into a thrilling story spanning thousands of years. Containing four grand tragedies and four beautiful love stories, the audiobook is currently going into its fifth edition. It has been a smashing success. We are delighted to present a 12-hour audio experience of this text (performed by the award-winning voice actor, Marc Thompson) against the backdrop of evocative sound design and music editing of Hamid Rahmanian the creator of the Shahnameh project.
Now, make sure you have a good set of headphone/speakers and tighten your seat belts. This immersive audio experience will take you on a journey back to the soundscape of ancient Iranian heroes, monsters, lovers, and warriors. This is going to be one heck of a ride.Â
About the Book: Shahnameh: The Epic of the Persian Kings is the illustrated edition of the classic work written over one thousand years ago by Abolqasem Ferdowsi, one of Persia's greatest poets. This new prose translation of the national epic is illuminated with over 500 pages of illustrations and will be published in April 2013. The lush and intricate illustrations in this edition have been created by award-winning graphic artist and filmmaker Hamid Rahmanian, incorporating images from the pictorial tradition of the Persianate world from the fourteenth to the nineteenth centuries. The new translation and adaptation by Ahmad Sadri, retells the mythological and epic stories of the original poem in prose format. This Shahnameh is an extraordinary literary and artistic accomplishment.Â
Published by Liveright , distributed by W. W. Norton & Company Hardcover with slipcase, 592 pages, 500+ four-color illustrations ISBN 978-1-63149-446-8
Product details
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Audible Audiobook
Listening Length: 12 hours and 1 minute
Program Type: Audiobook
Version: Unabridged
Publisher: Fictionville Studio
Audible.com Release Date: December 22, 2017
Language: English, English
ASIN: B078JMPS1H
Amazon Best Sellers Rank:
This is not a complete translation of the "Shahnameh", in fact, it's hardly a translation at all. If you want to read the epic poem in its entirety, secure Dick Davis's prose translation published by Penguin Press. You won't regret it. Dick Davis is one of the finest scholars of Persian literation today, an inspired translator with a keen sense of poetry. His most recent publication, "Faces of Love", translates Hafez and two other poets of Shiraz and does full justice to these Persian-languages poets, unlike others who don't know Persian but claim Hafez visits their dreams! This publication has an entirely different purpose and fulfills that purpose with brilliance and wonder. Countless artists of the Islamic world have illustrated scenes and characters from Ferdowsi's epic. (Dick Davis's translation contains lithographs from 19th century versions.) For this volume an artist named Hamid Rahmanian took many illustrations and recast them to illuminate the text "with over 500 pages of lavish illustrations", as the publisher puts it. And the result is one of the most magical and uniquely beautiful books in my home library. Every time I look at it, read from it, browse through it I am happy that I bought it. Literally, every page is alive with color and design that illustrates the events of the text. The consistently high quality of these illustrations is breathtaking - there is not a false moment in the whole 572-page book! How many publications can you give such unreserved praise! Now for the text: as I wrote in my opening statement this is not the text ofFerdowsi's epic poem. A writer named Ahmad Sadri wrote a prose summary of the poem which makes up the text. In Dick Davis's translation, the illustrations serve his complete translation; in this version, Sadri's prose serves the illustrations. So the two versions are exact opposites. What this means is that this magnificent collection of creative illustrations can accompany you as you read Davis's translation. Or you can skip the epic in its complex and convoluted narrative (886 pages in the Penguin edition!) and enjoy this version as an object of art. Either way you will be enriched by your encounter with one of the great war epics of world literature, a work which occupies the same exalted status in Islamic culture that the "Iliad" and the "Aeneid" occupy in Western culture. (And aren't we Americans past due in appreciating Iranian culture in particular, considering our 21st century karma has inextricably entwined the fates of our two societies?) One further note: in 2006, the artist Zak Smith published a collection of pictures which illustrates what happens on each page of Thomas Pynchon's 1973 novel, "Gravity's Rainbow", an enormously complicated book well served by Smith's scintillating pictures. To one who has indeed the whole of Ferdowsi's epic poem, I can sincerely commend this version as an alternative to reading the medieval text. It is as if you were to see a film version of a novel that does justice to the book. For example, Terence Malick's film, "The Thin Red Line", from 1999 does justice to James Jones's 1962 novel. The important issue as I see it is this: in today's world cultural literacy involves a knowledge of the literature of the world of Islam. This version of one of the seminal works of Persian literature can provide that knowledge, and what's more, the experience of it through art.
This English version of Iran's answer to the Iliad, Ferdowsi's Shahnameh (The Book of Kings) stands head and shoulders above other translations of this great work. Not only is the translation more pithy and digestible than other attempts that I've read, the artwork alone is enough to justify buying it! It mixes clips of Ferdowsi's original Persian along with art inspired by the celebrated Persian miniature paintings, but with a modern, graphic novel sensibility (and, if my eyes don't deceive me, a rendition of Ahura Mazda in the face of the sun that is derived from the Nadir Divan-Beghi madraseh in Bukhara). In short, anyone who is interested in Iranian history, great storytelling, mythology, or gorgeous artwork will love to have this to their collection. Definitely something to treasure!
This artistically sumptuous volume is mesmerizing to view, as well as to read. The illustrations were painstakingly assembled by Hamid Rahmanian from actual artwork found in several centuries of manuscripts. Ahmad Sadri's prose translation of Ferdowsi's poetry is easy to read. The legends of ancient Iran are fascinating. I lived in Iran as a youth, during the time of the shah. I have kept up with the country and I have a number of Iranian friends. Many given names that we see in the news today can be found in this ancient poetic compilation of the prehistory of Persia. I highly recommend this fabulous tome!
I first heard about this book after listening to my local public radio interview with the author. I was intrigued enough to buy it, having no experience with this or any other work of Persian Literature. I am so thrilled with it! The binding is beautiful, the illustrations unexpectedly unique & each a work of art itself. After receiving the book, I was surprised by the interviewers characterization of this amazing work as a "coffee table book"! Mr Sadri was very gracious indeed to not take issue with that remark! This book will be nowhere near my coffee table! lol
I've only had this book in my possession for a few days, but I could tell immediately upon picking it up that this is a quality item. There is not a doubt in my mind that this book will last, and that I'll be able to pass it to my children and hopefully theirs. Even removing it from the sleeve feels magical. Every page is alive and vibrant, done in a style my Western eyes are unfamiliar with, yet which speaks to me the way that only truly great art can. I can't speak to the text at all. I've read that it's a prose summary, not the poem itself. Hopefully that makes the work more accessible; I know that I'm capable of paying attention to dry epic poems, but I don't think my daughter is. Long story short, in probably any other circumstance, I wouldn't even consider leaving a review without having read the book and owned it for 6+ months; in this instance, however, the work is so moving, I was compelled.
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